Selected work

Arts/culture/media

The Darkness of the Image

ArtsHub, August 2023 (feature)

Life and art in dark times: Teju Cole’s Black Paper

Overland Literary Journal, July 2022 (longform review)

Why the ABC is too important to lose

Independent Australia, published November 2020 (op-ed)

Stop asking ‘diverse writers’ to tell you about their lives

Overland Literary Journal, published October 2020 (op-ed)

History/justice/memory

Paper Orphans Part #2

Commissioned by the Wheeler Centre, August 2023 (audio)

Paper Orphans Part #1

Commissioned by the Wheeler Centre, August 2023 (audio)

Making people disappear

Peril Magazine, December 2022 (essay)

Seeing ghosts, being ghosts

GEMS Zine, Issue #21, May 2022 (essay)

Empty words: the Coalition Government and violence against women

Overland Literary Journal, published February 2021 (essay)

Australia needs a new day

The Age, published January 2018 (op-ed)

Ecology/emergence

Beyond the fight

Seljak Brand, published August 2020 (essay)

Grief and hope for what’s to come

Medium, published January 2020 (essay)

Think Extinction Rebellion are disruptive? Just wait for climate change

SBS Online (The Feed), published October 2019 (op-ed)

Fiction/film

Swimming Lessons

Island Magazine, Issue #168, August 2023 (fiction)

How to build a forest

Human Rights and Arts Film Festival, May 2022 (short film, dir. Jenn Tran)

Appearances/achievements/conversations/residences

Footscray Art Prize 2023 (shortlisted: How To Build A Forest)

5 Questions, LIMINAL Mag

Adelaide Film Festival, October 2023 (How To Build A Forest)

Robin Boyd Foundation DADo event, October 2023 (panellist)

Sydney Film Festival, June 2023 (How To Build A Forest)

InPlace Residency, April 2023

MeMo Review, June 2022

Emerging Writers’ Festival, June 2022 (performer)

Same River Twice group exhibition, Footscray Community Arts, June 2022

Human Rights and Arts Film Festival, May 2022 (How To Build A Forest)